There’s just never enough time to go around, is there? The end of the year is slowly approaching, and I’ve already got loads of finals, holiday commitments, and other writing to juggle. Another list on top of all that seemed unthinkable. Hell, those annual Top 25 OPs lists I do take about two months of listening, writing, reshuffling, and editing before I even come close to a finished product, and that’s usually on top of all those other matters. Before now, though I’ve always been curious about doing an ED list too, I felt there was neither the demand nor the supply for one, since let’s face it, ending themes always get the short end of the stick. While a deserving OP is easy to rewatch, even during one-sitting marathons, EDs are usually less memorable, less addictive, and ultimately less talked about than their introductory counterparts.
But as I sat down in mid-October to run through my preliminary list of 2017 openings, I came to a surprising realization; this year has been uncharacteristically fantastic for ending themes. I could name several shows whose closing montages were just as well-regarded as their OPs, if not more so, and I didn’t want to waste the opportunity to do some of them great justice. After floating the idea and getting some warm feedback, I decided that if I were to ever do an endings list, this would be the year to try it out, and if I had any chance of completing it, I’d have to crank it out early. And thus, here we are.
Hey there, everyone, and welcome back to For Great Justice! You know what time it is – that time every season where we watch everything that catches our interest over the course of two weeks then try not to develop carpal tunnel writing about them. Which was especially brutal this time, ’cause in a year already stuffed with several new great hit titles and a handful of superb sequels, this fall doubled down on both for one of the most packed seasons we’ve had in a while. There are a lot of series worth highlighting and we’re pretty eager to tell you about them, so let’s just jump straight into it. Here are Yata & Haru’s fall 2017 season first impressions.
But we have good news too, fellas; the summer season came to a close this week, and while there were a fair number of late stumbles to cover, there were also some resounding successes. Which series stuck the landing? Which let us down when it mattered most? Yata & Haru are here to run down everything they finished, so find out what juicy takes of theirs await you below in FGJ’s summer 2017 anime season final thoughts!
Hey, everybody, and welcome back to a somewhat special mid-season update from For Great Justice. It’s not only time to run down what we’ve thought about many of the summer’s most popular shows since first impressions, it’s also mid-August, which means it’s time to celebrate the site’s third birthday! From the bottom of our hearts, whether you’re stumbling upon us now for the first time or go back as far as our clunky early days, thank you for your continued support and readership. It means so much.
Not gonna lie, all of us are a bit antsy lately, so this may be a quicker than usual batch. Yata and Catche are gearing up to head back to college in a week and Haru has been busy alley-crawling at Anime-Fest the last few days, so we’ve all got a bit on our plates, but that’s rarely stopped us from getting something out there before, and it sure isn’t going to now. What titles held up from earlier in the season? Which have let us down? And where are we drawing the drop line? Find out all this and more below!
It’s too hot.
Antarctica is peeling apart.
Don Jr. inherited more than just a name and spare Franklins to wipe his ass with.
And yet here we are complaining about anime, because if the world’s gonna end one way or another, we might as well appreciate some rapidly moving pictures in the meantime. There’s just one problem: this season’s not produced quite as many worthwhile ones as the last handful have. For Yata, that means a ton of bubble entries with few clear standouts. For Haru and Catche, that means virtually no standouts whatsoever and a lot of trash. But it’s not our job to remark about the industry as a whole right now. If you’re here, there’s a good chance that what you’re really looking for are our thoughts about each new production on its own merit, and we’re happy to provide! Which titles appear to be at least somewhat watchable? Which ones do we recommend never speaking of again? And can American democracy be salvaged? The answers to at least those first two questions lay in our summer 2017 season first impressions below. Jump on in!
“We kissed and clung together / Then tomorrow was another day / The morning found me miles away / With still a million things to say / Now when twilight dims the sky above / Recalling thrills of our love / There’s one thing that I’m certain of / Return I will to old Brazil”
– “Brazil” – English adaptation by Bob Russell
I’ve linked Cornelius’ take on “Brazil” there because his version of it is a personal favorite of mine, though that’s far from the song’s only rendition. Originally composed by Ary Barroso in 1939 as “Aquarela do Brasil,” it’s since become one of the most-covered songs in the world, with names as notable as Frank Sinatra, Santana, João Gilberto, Arcade Fire and many many more lending their take to this timeless classic about timeless feelings. Love and longing are cornerstones of art because they’re cornerstones of the human experience, and even the tritest of concepts can become enthralling when delivered with heart. The right ambiance and a couple of curveballs don’t hurt either.
And let’s get one thing straight, Michiko & Hatchin, coincidentally set in some sort of pseudo-Brazil, is enthralling, and yet, much like that song, it’s not anything you’ve haven’t seen before. Sure, there are gang fights and hokey drama and all that good ol’ pulp action stuff which makes it a versatile tale that fans of several genres can find something to enjoy in, but it’s not about shootouts or revenge or any of that.
It’s about running. More accurately, it’s about running to a phony destination to try prolonging the inevitable.
Well, it’s been a little while since I’ve done a solo writeup on here, like nearly two years. I’ve been thinking for a while that this issue needed to be addressed. I had started on a review of Your Name back when it first hit theaters, but that poor thing went up in smoke after some drama both online and off. However, I have another topic worth writing about, a lot of spare time, and a fair bit of motivation, so let’s do this!
Well, we’re a day behind deadline, but it’s been a hectic seasonal transition here at For Great Justice. Catche had to persevere through a laptop falling apart on him, Haru is drowning in A-Kon merch with no oxygen tank (expect an article on that later this week), and Yata is desperately trying to ignore the fact that there exist people in this world who have already seen the first episode of Violet Evergarden. But we’re not here today to talk to you about shows still around the bend, nor is it yet time to cover what new offerings this summer has started to give us. No, today we’re offering our opinions on the hits and misses of the past three months. Which sequels remained strong? Which titles flew under most people’s radar but deserve more recognition? And was completing Eromanga-Sensei worth it, like, at all? The answers to these questions and more in our spring final thoughts below:
TW/DISCLAIMERS: This piece is mostly centered around The Dragon Dentist’s discourse on death and refers to suicide. Some of the image links contain war imagery as well. Use your best judgment if you think either of these things will affect you.
Obviously this also contains spoilers for The Dragon Dentist, so if you haven’t seen it yet, consider spending your next 90 minutes doing that, then coming back to this. And of course, this is my (Yatahaze’s) own personal reflection on the series and not necessarily reflective of everyone else here at For Great Justice.
Hey, everybody, and welcome back to For Great Justice! The world may be continuing to go to shit, but the Anime Gods have been benevolent this year, and as we approach the halfway point of the spring season, Yata and Haru strapped down to make their positions clear on some of the season’s biggest shows. Which sequels have held up their hype? Which new entries appear to be the cream of the crop? And the most important question of all: is alcohol poisoning actually preferable to watching Eromanga-Sensei? The answers to all these questions and more lie below. Let’s jump on in.